Terminator 3: Rise of the Machines Journal 2-2

The director of Terminator 3: Rise of the Machines is Don Burgess. In Terminator 3, Arnold Schwarzenegger reprises his role as the older T-800 model Terminator, sent from the future to protect eventual revolutionary leader John Connor from a new T-X Terminatrix. Connor programmed the Terminator to protect him and girlfriend, Kate but the cyborg soon goes beyond control and takes over. Throughout the movie battling the advanced T-X is tough on the Terminator. One thing I really admired was the special effects. Burgess used cross-back key lights to help chisel Schwarzenegger's features. The character T-X was portrayed by Kristanna Loken. At length the T-X Terminatrix displayed unparalleled strength and a number of weapons.
In one scene, the familiar T-800 endoskeletons march toward the rebellious humans as more about the future is revealed. The mirrored ball helps ILM visual-effects artists properly light CG elements that will be added to the shot. Burgess takes his own still photo to check his light levels. Burgess tries for a better vantage to witness the impending T-X assault. Burgess filmed most of Terminator 3 on Kodak Vision 200T 5274. For a film like Terminator 3, contrast is very important. Burgess's cinematography is exceptional.
For one night exterior, Burgess used Vision 250D 5246. During the opening of the film, we see Connor living life beneath society's radar, sleeping along the river ways of Los Angeles. He wanted the foreground to have a warm, fiery feel and the background to be colder, but not extremely cold. The 250 is a contrasty stock with good blacks, and it allowed Burgess to use uncorrected HMI sources in the background, and get a warm look in the foreground with a mix of corrected and uncorrected tungsten sources. Lastly Burgess shoots most of his nighttime photography at around T2.8. It accommodates good depth of field, especially with wider lenses and provides good resolution in the highlights.

Film Awards Flurry as Oscars Near

A flurry of specialist film award ceremonies have been held in Hollywood as the countdown to the 79th Academy Awards show enters its final stages. The Scripter Award was won by the writers of Children of Men for best adaptation of a book.
At the Production Design Awards on Saturday, Casino Royale, Curse of the Golden Flower and Pan's Labyrinth were the big winners. Best production design went to Casino Royale. Meanwhile Curse of the Golden Flower won in the period film category. Pan's Labyrinth won the prize for a fantasy film. Dame Helen Mirren was named best actress for The Queen.
Lastly Forest Whitaker was named best actor for The Last King of Scotland.

Personal Entry

Photography is interesting to me. For a birthday present I received a NIKON F301 camera. Ever since then, I've been taking photos of various things dealing with scenery, nature, machines, people, performances, and sporting events. I want to become a professional at photography. Therefore, I have been investigating this camera. The NIKON F301 was a manual focus, autoexposure, auto film loading and advancing 35 mm SLR camera sold by the Nikon Corporation beginning in 1985. The F301 was identical to the Nikon F501 in almost every way, except it lacked autofocus and autoexposure lock. The Nikon F301 is notable for being the first Nikon SLR sold that lacked a film advance lever. It was also the first Nikon to use Polycarbonates in the building of the camera, and was considered by many people as the dawn of a new era for Nikon.